Wednesday, 14 August 2013

"Now" only at Garnsworthies

 

 


 
 
 
A brief show that I put together with Julian Pefanis and Tony Wright in the Hall that was about to take our "mock" diploma show.
We arrived at seven, when the college had just opened, armed with our sheets of card pinned them to the boards and disappeared. It had a greater effect than we could have ever hoped for!

 



You have three goes
 
 

 


 


 




 
 

 

 




 
 
Painting being dead that is.


 



 

 

 

Our very own take on Art and Language
 

Sunday, 28 July 2013

Outraged from Rhwbina.

 
 

 



Not really outraged, more a little bemused, maybe indignant.
Enjoying the indulgence of right verses wrong as it were.
Initial sketch for a painting.



I can hear the grass grow - The Move 1967
New cover for Facebook, also pretty well the only picture I've got for Perennial for July. Its a comment on the amount of dry and burnt grass around, surrounded by continued grow seeds and pollen.



 
Emerging cave dweller, from Dalyan - 1999
Out of the Facebook album Swipe Hands.
Now used as the portrait for my Linked-in connection, which I seem to be using a bit more than I have been. Adding stuff to my profile slowly, but surely, which seems to be actually looked at from time to time!




Bemused
disgruntled
outraged

Thursday, 18 July 2013

Paintings to finish


 


Spring Head. Taken from the light and dark and vaguely green sides of the leaves on a big row of trees. Needs more varied coldish shades of green.


These are five paintings I felt would benefit from a bit of digital work, They haven't exactly gone cold but a bit of stimulus from the machine wouldn't go amiss! (its quicker to mix up close, corresponding colours and can be done whilst tired)






June Head, again, the drawing is straight from the hip with the colours to follow. Its fairly close to finished, maybe small areas of maroon yellow and leaf green.
 



Bob's front garden - needs to get a bit more vivid.
 
 

 
A Compendium of June.
This one could run and run - I feel like just adding and adding to it. See where it goes.
 
 
The above are part of the perennial set - should have a show there by the end of the year.
The following two come from the Achilles Shield series, were painted over a year ago and simply forgotten about. Again, pretty close to a show here.
 
 
 
I cant remember the exact characters in this one offhand. Its about during a battle where death, destruction and despair come into there element. I think it basically needs more definition.
Its great to have an excuse to take on a painting of an horrific nature with an actual reason for doing it - i.e. it is part of a story.
 
 
These are the herdsmen with their dogs being able to do nothing as three lions devour their cattle.
 
 
 
 

Friday, 5 July 2013

Perennial


I have just realised that I have a relatively new blog site that is pretty well inaccessible.
I haven't bothered to link it up to anything, which is unfortunate as it is the backbone of what I'm working on at the moment!

(link top right)

Friday, 21 June 2013

Edible Olympics



 
 


 

 
I have been involved in a few projects like yours over the years and although I was traditionally trained as a painter, I have been labelled as "artist/builder". I can work with various building materials, enjoy using wood metal and glass.

"The Angel of Narberth"

I enjoy building zany constructions , often referred to as "outsider art". My work can often have a fairy-tale kind of side to it, almost cartoon-like, but with a slightly dangerous surreal edge to it.





The office at Friction Arts "The Edge" (with Harry Palmer outside)


My family moved to Pembrokeshire in 1970 and settled on 8 acres on a hill, surrounded by forestry. I am used to working outside and having to improvise with what comes to hand. In fact, I feel that having to work within that kind of discipline can give the whole thing a certain edge.
I like to scavenge and recycle – a sign of the times. 


Cockerel from "Inside St Martin's"

I like the idea of helping to "tie up" a project or event, formulating a starting point and moving through it - joining it up, making it readable. I see it as an organic process
 

Design for a wooden gate at the Cube in Wilton Market, Erdington.

It's not the total output of my work, but I like to build things for other things to happen within. 
Almost like a folio that carries the art work.


Design for a wooden gate at the Cube in Wilton Market, Erdington.

It's not the total output of my work, but I like to build things for other things to happen within. 
Almost like a folio that carries the art work.
 

Design to embellish a chicken run



Bird House

I would love to be involved in your "Edible Olympics" scheme especially over the summer in an organic kind of way. I am good at bouncing ideas off people and like to work as part of a team, I can improvise onsite.


I am quite prolific, prepared to get stuck in and if I got this project would certainly do it for the chance to work within a site that I believe in - the chance to help make something better from within.

---------------------------------------------------------------------------------------------------------------------------

C. V.

I split my art life up into two areas:
Pre M.A. and past.

Before the M.A. I was concerned with painting - sols and group exhibitions and also a lot of mural work, mainly in South Wales.
I also spent a few years abroad in mainly in Turkey and India.

The M.A. loosened me up and allowed me to bring in other media often in conjunction and opened up a way to engage in larger projects.
Often with an emphasis on why something was happening rather than what was happening.

martin.humphries@blueyonder .co.uk
DOB 22nd September 1951
Brought up in Shepherds Bush, London.

1974 Dip AD 1st Epsom Sch. Art x Design.
The course was based around learning traditional painting skills.

I lived for the most part in Pembrokeshire during the seventies holding various small shows of landscape paintings.
1978, Finds Assistant U.C.C.
1979, Building Adventure Playgrounds in Gilfach Goch and Cardiff.
1980, Spent a year and a half in India.
1983, Six months in Kashmir.
1985, Team Leader, painting murals in the Rhondda Valley for 18 months.
1986, Six months in S.E. Asia.
1988, Four months in Western Turkey

Between 85 and 89 I held:
"Immediate Response" Brixton
"A Journey in Progress" Camberwell
"A Wooden OM" Cardiff
" For a Colourfool" Cardiff
"Achilles Shield" Cardiff
"Spirits need Homes" Haverford West.

1989 - 1993, Living in Istanbul, teaching English and painting.
199 - 1998 moved to Birmingham, involved in small scale mural based projects in various schools from kindergarten to secondary, based mainly in North Birmingham.
1998 "You caught me floating in my sleep" show in Nuneaton
1999 "Johnny Eidetic" show in Narberth.

Between 1999 and 2001 I did the M.A. course at U.C.E. Margaret Street, Birmingham. This shook up my art practice and I started to look more at how that I make stand in their own particular environment, I also started to want to give my work its own life, instead of simply being a comment or story about something else.
 

Drinks Cabinet

Cabinet with distance and direction to the Balti Houses of Birmingham.
 

2002, March. "@" exhibition of pictorial e-mails involving up to 50 people.
2002, July, August. "Inside" an exhibition of "Directionals" (3D installations) in St Martin in the Bullring.


2003, "Re-location" involvement in rebuilding the X-Ray factory in Smethwick, transforming it into an alternative arts centre.
 September "Radioactive" the first large show at the factory in which I was heavily involved.




December, "Grotto" a Christmas show involving local school children, the factory was transformed into a "Winter wonderland"







2004, "Utopia" first show at the "Chameleon" gallery in Walsall a group effort where we turned a jewellery making area into a gallery space.





part of "Utopia" (with Alan Cheeseman)


July - September. "Live/Work1" - an art building project taking over a large area of the X-Ray factory.


Punch and Judy Stage




"Tent City" -hidden in an alcove amongst the building.

Voluntary work in Heartlands Hospital erecting a children's garden containing various art works based around wild animals.
2005 July - September. "Live/Work 2" - the follow-on project based in and around a disused Methodist church in West Bromwich.




2006 July, "The Green St Show" - a large two man show in Digbeth.
 


The Balti Chariot


2007 July - September, "The Festival of Xtreme Building", Birmingham. Design of stage and various other installations around the site







2008 winter Five murals in Perry Barr Bus Depot, painted in situ and depicting 70 years of bus service to the local community.
Also building a cross cultural web site with "Unltd", involving as many diverse cultural origins as possible.
2010 summer " The Argonauts" A large mural in Birmingham Central Library



Proposed sign for an on-going project at Edible Eastside

In recent years I have been working on a series of contemporary pub signs, set of paintings based around the Roman Calendar whilst building various outdoor structures.
 


Dog house at the "Spotted Dog" 

http://martinumphries.wix.com/specific-site#