Sunday, 28 July 2013

Outraged from Rhwbina.

 
 

 



Not really outraged, more a little bemused, maybe indignant.
Enjoying the indulgence of right verses wrong as it were.
Initial sketch for a painting.



I can hear the grass grow - The Move 1967
New cover for Facebook, also pretty well the only picture I've got for Perennial for July. Its a comment on the amount of dry and burnt grass around, surrounded by continued grow seeds and pollen.



 
Emerging cave dweller, from Dalyan - 1999
Out of the Facebook album Swipe Hands.
Now used as the portrait for my Linked-in connection, which I seem to be using a bit more than I have been. Adding stuff to my profile slowly, but surely, which seems to be actually looked at from time to time!




Bemused
disgruntled
outraged

Thursday, 18 July 2013

Paintings to finish


 


Spring Head. Taken from the light and dark and vaguely green sides of the leaves on a big row of trees. Needs more varied coldish shades of green.


These are five paintings I felt would benefit from a bit of digital work, They haven't exactly gone cold but a bit of stimulus from the machine wouldn't go amiss! (its quicker to mix up close, corresponding colours and can be done whilst tired)






June Head, again, the drawing is straight from the hip with the colours to follow. Its fairly close to finished, maybe small areas of maroon yellow and leaf green.
 



Bob's front garden - needs to get a bit more vivid.
 
 

 
A Compendium of June.
This one could run and run - I feel like just adding and adding to it. See where it goes.
 
 
The above are part of the perennial set - should have a show there by the end of the year.
The following two come from the Achilles Shield series, were painted over a year ago and simply forgotten about. Again, pretty close to a show here.
 
 
 
I cant remember the exact characters in this one offhand. Its about during a battle where death, destruction and despair come into there element. I think it basically needs more definition.
Its great to have an excuse to take on a painting of an horrific nature with an actual reason for doing it - i.e. it is part of a story.
 
 
These are the herdsmen with their dogs being able to do nothing as three lions devour their cattle.
 
 
 
 

Friday, 5 July 2013

Perennial


I have just realised that I have a relatively new blog site that is pretty well inaccessible.
I haven't bothered to link it up to anything, which is unfortunate as it is the backbone of what I'm working on at the moment!

(link top right)

Friday, 21 June 2013

Edible Olympics



 
 


 

 
I have been involved in a few projects like yours over the years and although I was traditionally trained as a painter, I have been labelled as "artist/builder". I can work with various building materials, enjoy using wood metal and glass.

"The Angel of Narberth"

I enjoy building zany constructions , often referred to as "outsider art". My work can often have a fairy-tale kind of side to it, almost cartoon-like, but with a slightly dangerous surreal edge to it.





The office at Friction Arts "The Edge" (with Harry Palmer outside)


My family moved to Pembrokeshire in 1970 and settled on 8 acres on a hill, surrounded by forestry. I am used to working outside and having to improvise with what comes to hand. In fact, I feel that having to work within that kind of discipline can give the whole thing a certain edge.
I like to scavenge and recycle – a sign of the times. 


Cockerel from "Inside St Martin's"

I like the idea of helping to "tie up" a project or event, formulating a starting point and moving through it - joining it up, making it readable. I see it as an organic process
 

Design for a wooden gate at the Cube in Wilton Market, Erdington.

It's not the total output of my work, but I like to build things for other things to happen within. 
Almost like a folio that carries the art work.


Design for a wooden gate at the Cube in Wilton Market, Erdington.

It's not the total output of my work, but I like to build things for other things to happen within. 
Almost like a folio that carries the art work.
 

Design to embellish a chicken run



Bird House

I would love to be involved in your "Edible Olympics" scheme especially over the summer in an organic kind of way. I am good at bouncing ideas off people and like to work as part of a team, I can improvise onsite.


I am quite prolific, prepared to get stuck in and if I got this project would certainly do it for the chance to work within a site that I believe in - the chance to help make something better from within.

---------------------------------------------------------------------------------------------------------------------------

C. V.

I split my art life up into two areas:
Pre M.A. and past.

Before the M.A. I was concerned with painting - sols and group exhibitions and also a lot of mural work, mainly in South Wales.
I also spent a few years abroad in mainly in Turkey and India.

The M.A. loosened me up and allowed me to bring in other media often in conjunction and opened up a way to engage in larger projects.
Often with an emphasis on why something was happening rather than what was happening.

martin.humphries@blueyonder .co.uk
DOB 22nd September 1951
Brought up in Shepherds Bush, London.

1974 Dip AD 1st Epsom Sch. Art x Design.
The course was based around learning traditional painting skills.

I lived for the most part in Pembrokeshire during the seventies holding various small shows of landscape paintings.
1978, Finds Assistant U.C.C.
1979, Building Adventure Playgrounds in Gilfach Goch and Cardiff.
1980, Spent a year and a half in India.
1983, Six months in Kashmir.
1985, Team Leader, painting murals in the Rhondda Valley for 18 months.
1986, Six months in S.E. Asia.
1988, Four months in Western Turkey

Between 85 and 89 I held:
"Immediate Response" Brixton
"A Journey in Progress" Camberwell
"A Wooden OM" Cardiff
" For a Colourfool" Cardiff
"Achilles Shield" Cardiff
"Spirits need Homes" Haverford West.

1989 - 1993, Living in Istanbul, teaching English and painting.
199 - 1998 moved to Birmingham, involved in small scale mural based projects in various schools from kindergarten to secondary, based mainly in North Birmingham.
1998 "You caught me floating in my sleep" show in Nuneaton
1999 "Johnny Eidetic" show in Narberth.

Between 1999 and 2001 I did the M.A. course at U.C.E. Margaret Street, Birmingham. This shook up my art practice and I started to look more at how that I make stand in their own particular environment, I also started to want to give my work its own life, instead of simply being a comment or story about something else.
 

Drinks Cabinet

Cabinet with distance and direction to the Balti Houses of Birmingham.
 

2002, March. "@" exhibition of pictorial e-mails involving up to 50 people.
2002, July, August. "Inside" an exhibition of "Directionals" (3D installations) in St Martin in the Bullring.


2003, "Re-location" involvement in rebuilding the X-Ray factory in Smethwick, transforming it into an alternative arts centre.
 September "Radioactive" the first large show at the factory in which I was heavily involved.




December, "Grotto" a Christmas show involving local school children, the factory was transformed into a "Winter wonderland"







2004, "Utopia" first show at the "Chameleon" gallery in Walsall a group effort where we turned a jewellery making area into a gallery space.





part of "Utopia" (with Alan Cheeseman)


July - September. "Live/Work1" - an art building project taking over a large area of the X-Ray factory.


Punch and Judy Stage




"Tent City" -hidden in an alcove amongst the building.

Voluntary work in Heartlands Hospital erecting a children's garden containing various art works based around wild animals.
2005 July - September. "Live/Work 2" - the follow-on project based in and around a disused Methodist church in West Bromwich.




2006 July, "The Green St Show" - a large two man show in Digbeth.
 


The Balti Chariot


2007 July - September, "The Festival of Xtreme Building", Birmingham. Design of stage and various other installations around the site







2008 winter Five murals in Perry Barr Bus Depot, painted in situ and depicting 70 years of bus service to the local community.
Also building a cross cultural web site with "Unltd", involving as many diverse cultural origins as possible.
2010 summer " The Argonauts" A large mural in Birmingham Central Library



Proposed sign for an on-going project at Edible Eastside

In recent years I have been working on a series of contemporary pub signs, set of paintings based around the Roman Calendar whilst building various outdoor structures.
 


Dog house at the "Spotted Dog" 

http://martinumphries.wix.com/specific-site#

 

 

Thursday, 20 June 2013

L.S.A. Genesis



I have been meaning to revisit this for a long time.
It started at a London Surrey Arts meeting in Pembrokeshire in 1981.
A few original images have disappeared and by and large the definition in day to day terms becomes blurred.
My intention is to get them out - nail them down as it were and adjust later.

I found that for the moment - the child's version is easier to follow!


 

 
 









 
 
 
 













 








Friday, 31 May 2013

Recent Work



At the moment, I am still sitting on a pile of wood from old furniture passed on to me from my migrating neighbour (down the road).
I am and have used a fair amount of offcuts to make small panels for pretty well one off images.

On Saturday 23rd March, I decided to stop concentrating on sketch book images and try to put as much preliminary stuff onto domestically sized odds and sods.
This was due in part to not getting any opportunities to work on or create projects and also in part to a fair amount of positive criticism of my paint-work. (Not taking into any account of what it was supposed to be about etc.)

I took a handful of these boards (covered with cloth and primed) to the Hill.
I was quite busy whilst there and this gave me a chance to produce small but larger pieces of work that would be easily recognisable.

I'm still working on pub signs and wish I was spending more time in my Ladywood studio, but the more immediate stuff is certainly more compelling at the moment and easier to produce as a possible body of work.

It is about time that I had a solo show of work - I suppose it doesn't really matter where, its just a case of proving I am still in the frame.
Maybe a quiet library type one here and something in Narberth - where on a small scale I would be able to ship a shows worth up in (probably) one car load.

The Hill in May




It was a comparatively pleasant and uneventful trip to Shipping Hill this time.
With thoughts very firmly fixed on installing at least one log burning stove.
We did buy a new chain saw and I managed to saw a fair pile of firewood and swept all the chimneys except for the Wellstood in the kitchen which has external screws that will need drilling out. something I was unable to do as tools seem to be get from beyond my reach.
x

Mind - the new chain saw didn't last an awfully long time before seizing up! Is it just me and machinery?!

We managed to clean and make the place semi-liveable although the drive is almost impassable and desperately needs a load of mixed stone to be added thoughtfully to individual puddles.
x

The chestnuts I planted with my father in the early 70's are looking better than they deserve to, and can do with further clearing of large saplings in and around them. This would also help to create a down hill, shorter drive.
x

We discovered a lovely pub at Creswell Quay with mum, it would make a lovely painting looking back from up the estuary.
Also had fun walking the dogs at Wiseman's Bridge followed by a bottle of wine afterwards. (another possible pub portrait!)
x
x 

Thursday, 18 April 2013

Big Day Out


 
I came across some old sewing bobbin bits in a trunk.
There was a sheet of newspaper there as well, dated 1971. Though that was when the family home moved to Pembrokeshire and I recon the bits and bobs were a fair bit older than that.
I immediately saw them as being very comparable some of my frequent doodles, normally carried out whilst relaxing with a can of beer in front of the fire and decided to build with them.
 
There follows a series of sketches, the first being the one I chose to use.
 
 
 
 
 
 
 
 
My neighbour has just sold his house and gave me a few items of furniture.
Unfortunately, most contained a fair bit of woodworm, I am currently using the unaffected bits to build with.