Friday, 17 January 2020

Sapphire Sky







17/01/2020
Wishing you a Sapphire Sky Down Under.

Started as a direct response to the catastrophic bush fires going on in Australia.





My discovery of the Aboriginal Flag and the fact that it corresponded so well to actual photos of what is happening in the sky there at this moment in time was the catalyst for me to think clean & crystalline. Back in the day those fires must have been such a big, frightening force.



At which point ~
I sent my regards and worries to Sue Macleod Bere, living in Sydney 
and wished her a sapphire sky (after the smoke)
Blue skies above us, everyone’s in love.

The only New Year’s resolution I have ever kept Sue!




Something like:
Paint,
Paste,
Glaze.
A couple of people have pointed out that this resembles the “May Promise” of a couple of years back.
I didn’t paint this as a direct response or follow-on to that one, but I can certainly see the close similarities.






It’s a system of painting that on occasion I dip into.
Especially, if I don’t have too much room, or if the paints are cheap.
It can also keep the painting fresh as it goes along.









I’ve had comment/praise on my use of blue recently.
It isn’t my strongest colour, though possibly my safest colour.
It’s what I started learning about how to paint with colour.
Two Blues ~ Two Browns & you have a spectrum.

earth,flesh & a clear sky.
5-1-2020.




Then,
I couldn't hold back the intensity!















A couple from Dal Lake Srinagar 83







This formula will pass before my eyes very quickly.
(For the moment) It's a rhythm of paint!



28-02-2020.


Sapphire Sky Notes.


I started out with pencil and a long ruler, then using those lines to work from, then made it more of a collection of triangular patterns with~~~
Felt tipped pen, the sort that you buy in packs of twenty and non-waterproof so that with water brushed on, half of that line would smudge out. With just one mid-range “indiscriminate” blue. These felt tipped lines comprise of maybe 1% of what you can see in the finished picture.
A lot of the lines that you can see a few of layers down are in fact edges of blue glaze applied with a palette knife.
On occasion, I do use water colour pencils but not on this one, I use them sometimes for much bolder, smaller pictures with a raw edge where subtly isn’t the issue!

The bolder lines you can see are (I think) nearly black with blue in them. They were squirted on from an old hair colour bottle. Because I had a layout (almost grid) it allowed me to be more spontaneous ~ follow the flow as it were and high light the more important corners. As the painting went along it became a bit “samey” at which point I started adding oblique paper patch triangles which I had painted over with various shades and tones of blue.

From here it went on in this vein until I felt I couldn’t adjust it anymore! As Klee said, a painting is like a potted plant, you water it every day and one day, it is grown, (or something like that).
As an afterthought ~ each move I made was to inspire, act like a catalyst for the next one, whilst leaving the whole thing as open as possible.





There is a name for the technique where you make straight lines fuzzy & exciting by adding a little water. I don't know it!

The upper picture was simply sprayed and came out fuzzy all over. I never intended to take it any further, but use it as general information. As in ~ maybe the thing could go in that direction.

The lower, I did use to give the lines a bit more form. I used this one in a much bigger picture and feel that it also stands by itself.




Both these drawings are for:

an elaborately crafted dancing floor,
like the one Daedalus created long ago in spacious Cnossus,

http://anatalianpostcards.blogspot.com/p/umphries-my-fourth-site-following.html

Sunday, 12 January 2020

Y New Year



Initially, after I had drawn it,I was going to paint it as a grid, a checkerboard mosaic with the lines just happening on top.





 The man that never gave up not believing in himself.

Where it went ~ I had to go.
But following the guide lines I had laid out before.


It was originally one of five paintings which went under the label “Y New Year”. Well, the file that I stored the images in came under that title.

This was about 85% digital 

(on a twenty year old art programme) Absolutely no frills.

In a sense, it was a bit like a glass painting in theory, but not practically. Painting on (or behind) glass goes basically back to front – you put those drops of water on the leaves first – covering the finished detail then covering more and more ground – layer by layer until you put the ground down, covering everything.
I had a spell of painting on glass mainly back in the mid 70's, but cant seem to find any photos at the moment.




With this, it was a case of drawing first, with an adapted hair colour applicator - squeezing the lines out very quick. No time to think. 



Then “blocking that in” on top digitally until I couldn’t see any lines any more. The colours were in no way preconceived, I just put them in one by one.



I then fitted the original GIFF drawing back on top ~ which, apart from the lines, was transparent.



At this point, it needed tidying up. The final procedure which took longer than the previous bits combined









Not a bad progress chart, mind the different stages did get shuffled up a bit.
*

Monday, 30 December 2019

Hue & Line


21-12-19.


Mainly a two nights away, concentrated sketch-book effort,

 even though this scheme did germinate earlier.





*

A quick couple of carols.


22-12-19.
Ripened Cave,
Similar to the cave in  Chang Mai, that hosted the swallows during the day and the bats at night. And seemed to have strange untouched burial areas in amongst upper sub caves.




A Wisp Without a Whap.
A what does it matter crisis.


I know I am not important, but I have to carry on.




I am well & truly making this blog up as I go along.





21-12-19.

Summer Abroad
Now that it’s grey winter, we are planning for our holiday in a spreading but clean, enclosed hotel in the warm abroad.



A stone boat for the cruise ship tours to come and gawp at in a small Greek  island called Simi, a haven for small motor boats.

Porto Colum
a stationary boat.



*


Prelude to a Farewell.

Similar in composition to the Black & White ~ Heaven & Hell that everybody copied off each other, in school as young teenagers.
This also started off as a tester for some of the thicker paintings starring in “Goodbye to Autumn”.




*


The Boatman
a final offering to the world of summer.



Terminal.


Yet more comfort in the darkness.



Striking a serious pose.


Friend or foe?



A simple but somewhat intense conversation punctuated with the odd
“Oh, I know”
With a promise to meet up again soon.
Had/ve to call a stop on this before it takes off from the rest!

Wish upon
a guilted spider star.
Strategic, but I try not to think about it.
Stars are pervading the whole of my universe.



Thursday, 26 December 2019

Sunny Christmas Day



If I had a choice between snow at Christmas or sunshine
I would choose the latter.



a moorhen for Angie



a long way to be pulled back out from.

Lab in a Pointers stance
 - I do believe he is trying to tell me something.



a schools mural project that was successful & effective




wear from fast moving cycle traffic,
posted in the "involuntary painting group"



not sure where these two should end up,
or exactly what they were about.
I think maybe they ought to provoke so kind of narrative, but, as yet, I haven't found a box to fit them into.







a sentry for the locks



shared to the group "happenstance"
important to me because of it's profundity.




Stairway to Heaven
shared in Happenstance & Involuntary painting.




no crib for a bed,
Sutton Park.

happy wandering on a canal





Beautiful colours
on
a
Beautiful Christmas Day.


















opinionated, but quite possibly correct.





Opinionated, but quite Possibly Correct












2b PNG stencil

Stencil

Forgetting where all the images came from, this part encompasses a broad selection. Using PNG images, I was able to superimpose one image upon another, making a hybrid.
It started as a device to move some of the pictures forward, keeping them fresh and sparing myself the smudges & over workings.

I called it “stencil” because the process is like using a stencil ~ only from the bottom up rather than the top down & leaving the stencil part of the operation intact.


2b




still 2b !







Po 7 opinionated

Backing 8



Po 8