Sir Douglas

 

Tomato Cherry Blossoms
&
a windful of lost strings

C 1975

it had always been there (for me)
when it was "the moor" it stood at the top
I saw it everyday ~ it was a kind of friend.

Then the moor was taken over by forestry, the area had ceased to be the "Picton Estate"

After forty years or so the forestry grew up
& then was "harvested"
I never knew whether or not it was a Douglas Fir, or a Scots Pine.
Whatever the empty land became a kind of wind tunnel & blew it over.

I had drawn and painted it previously, but felt that I wanted to make another stab at it.
I had some old transport Calendars from the late 60's which made great collage material, so I started there.

&
moved on to acrylics




John Hosking sadly missed.
Cleaning up after one wild evening
during a week of wild evenings involving four wild painters!
May 1981.


The clock changed

I had time on my hands and also a lot of varied shards of pottery, so, keeping me occupied in the evenings I constructed a mosaic mural for the kitchen.
For me it was a space that held quite a few memories but was quite empty.

The Wood Between the Worlds

Description[edit]

The Wood between the Worlds is so named by Polly Plummer, who is transported there when Digory Kirke's Uncle Andrew tricks her into picking up a magic yellow ring. She soon falls asleep, and when Digory arrives later the children are both disoriented; they aren't sure how long they have been there or even who they are. The state of lassitude is explained by C.S. Lewis that the Wood being a place where nothing ever happens, unlike the different worlds that it connects. Later, Empress Jadis of Charn is brought to the Wood and appears to fall ill because of it, weakening so much that the children are stronger than she. Jadis soon recovers after leaving the Wood, but she never mentions it subsequently. Digory speculates that her mind is unable to hold memories of the Wood.

Geography[edit]

The Wood is described as having a warm temperature and containing a large number of leafy trees with canopy foliage so thick that the sky (assuming there is one) cannot be seen from the ground. Despite the thick foliage, a strong light does penetrate to the woodland floor, clearly illuminating objects.

The salient feature of the wood, other than the trees, is the presence of many pools of water. Initially, the pools appear to be just shallow puddles. However, when someone jumps into one of the pools while wearing another magic ring, the pool of water transports the wearer to a different world. When a world is destroyed by having all life removed (like what happened to Charn in The Magician's Nephew), the pool dries up.

Nature of the wood[edit]

The wood is implied to be a place linking all worlds, including Narnia, Charn, and Earth. A sense of slothfulness grips all visitors, including Jadis. However, it affects Jadis negatively: she shrieks in despair that the wood is "killing" her, and she is sickly and pale; when Polly and Digory arrive in the wood, their experience is pleasant and relaxing. It could be described as a nexus of sorts, existing outside the other worlds and not being a world on its own. In Paul F. Ford's Pocket Companion to Narnia, a diagram shows the Wood Between the Worlds to be located in Aslan's Country, which itself sits on top of all worlds.

04-02-2020

slowly moving pools

Eskimo waters

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The 2nd of Spring

 

Winter seems to have passed quite quickly

and here we are at spring 

(maybe it was something to do with puppies)

a resting scorpion dog

Rock Dog
To do with the sound track of the film which I never saw!

A short set

of small paintings to mark the beginning

of spring

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